Art & Artificial Life International Competition
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Fernando David Orellana
Unending Enclosure
El Salvador / USA


 


 

Unending Closure

Abstract:

Forty years ago, in the early days of the information age theorists, technologists, and futurists believed that by the 21st century the potential of the technology they where inventing would bring forth a new era, promising innumerous conveniences, adventures, and pleasantries. In a way, they were right, their innovations along with plenty of social and political change did bring a new era, though perhaps not as they expected. What their projections failed to account was the unaccountable; moments in history from which new social paradigms are created. The first three years of the 21st century saw a dramatic shift in the overall psyche and demeanor of the global community. The events that have unfolded since the turn of the century, in addition to the unending technological parade of innovation, and the bloating of Media influence over the world has yielded not a people that enjoy Sunday afternoon picnics on the moon, but a paranoid-delusional society, in constant fear of its own shadow. Using robotics as the primary medium, "Unending Closure" is a response to this accelerated social-trend. Being inherently driven by a sense of curiosity and exploration, the robots that exist in these two wooden columns live in a constant state of suspicion and fear, attempting to "see" what is outside, yet drawing back at the earliest guise of danger.

Technical Operation:

Each robot is equipped with an IR sensor which it uses to "explore" its world from the small opening near the top of each column. The sensor is mounted on a mechanism that allows for the robot to search both vertical and horizontal space. While they do this, they each make unique searching sounds from a built-in sound generator and speaker. Once they find a viewer, they will focus on them, waiting to see what the viewer does. If the viewer gets too close they will try to get away by shaking around at varying levels of intensity and making distinct warning sounds. If the viewer stays within a certain distance, the robots will try to communicate with them, using sounds and shaking. If they do not find anyone for a long period of time, they will exhibit several types of behaviors, including communicating with each other via a stream of sounds.

Medium: Wood, glass, Plexiglas, aluminum, nylon, wire, costume electronics, microprocessor, motor.


BIO

Fernando Orellana was born in El Salvador, San Salvador in 1973 and immigrated to Florida in 1979. There he received his high school diploma (1992) and began university education at Broward Community College. In 1994 he moved to Chicago, Illinois where he studied at The School of the Art Institute of Chicago receiving his Bachelor of Fine Arts degree in Art and Technology in 1998.

He has exhibited in galleries nationally and internationally including, Art Chicago 2004 (Chicago, IL), Fergus Gilmore Gallery (Columbus, OH), Kline Works (Chicago, IL.), Eyebeam (New York City), 1/Quarterly gallery (Chicago, IL.), Swanson-Read Gallery (Louisville, KY), Siggraph 2002 (San Antonio, TX), MACC Gallery (Moberly, MO), The Late Show (Kansas City, MO), Sotheby's/Artlink galleries (Tele Aviv, London, and New York), The Freeark Gallery (Chicago, IL.), Gallery 2 (The Art Institute of Chicago), The Betty Rymer Gallery (The Art Institute of Chicago), The Contemporary Art Work Shop (Chicago, IL.) and others.

He has also shown in collaboration with (art)n Laboratory at The Graduate Center Art Gallery, The Santa Barbara Museum of Art, Siggraph 2000/2001, Art Chicago 2000/2001, Chicago Midway Airport (Battle of Midway Monument) and others.

He has received the Edith-Fergus Gilmore Scholarship Award (2004), the Texas Instruments "Digital Intelligence" finalist award (2003), the Edith-Fergus Gilmore Materials Grant from OSU (2003), The School of The Art Institute's BFA Fellowship Award (1998), the Koppler Grant from UIC (2000), Art Link/Sotheby's International Young Art Competition Finalist (1999), Missouri State Arts Council Grant (2001) and The Broward Community College Merit Award (1995).

He has been reviewed on NewCity (2004), NPR (WBEZ - FM Radio) (2004), CNN (2003), Wired Online (2003), The Leonardo Electronic Almanac in conjunction with sine::apsis (1998), NPR (WFPL - FM Radio) 7min. preview segment (2002), The Pitch, KC (2001), The Chicago Reader (2000) and others. He has also lectured at The University of Illinois at Chicago, University of Southern California, The School of the Art Institute of Chicago, Northwestern University and Moberly Community College.
He is currently a graduate student at The Ohio State University studying in the Art & Technology program, continuing his research into machine/sculpture automata, robotics, Artificial Life and painting.