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Erwin Driessen & Maria Verstappen
Tickle Salon
The Netherlands


 


 

 


Tickle Salon

Voice-over test:

When a human being is gently stroking someones back, sooner or later tiredness and slackening will appear. Therefore we developed Tickle Salon: a robotic installation based on the concept of automated stroking. A machine that is able to stroke you with an indefatigable attention and subtleness. Automated stroking is an exciting topic, because it brings together our interests in meta creativity, biology and artificial intelligence, and of course the pleasure of being stroked.

Concept

Tickle Salon is an installation that roughly consists of three parts: A robot attached to the ceiling, a bed standing on the floor and a human being lying on the bed.

The robot uses a suspended probe to grope and feel the surface underneath. Gradually, the robot develops an image of the body that is lying on the bed. Using its imagination, the robot is able to execute sensitive movements over the skin surface. It aims to be smart, smooth and unpredictable.

In the room, a human being is lying on a bed. In between the bed and the ceiling, a suspended feeler is attached to four threads. The feeler can be moved around freely by varying the length of the four threads. This is achieved by computer controlled stepper motors that wind and unwind the treads. The feeler can reach any position in three-dimensional space, in between the bed and the ceiling. At each moment in time, the feeler knows exactly where it is.

When the feeler touches the skin surface, the collision causes a tension loss in one or more threads. This tension change, is detected by sensors . The movement stops and the coordinates of the collision position at the skin surface are stored in a virtual map of that space, inside the computer.

Subsequently, the robot continues its exploration, using the formerly gathered information in its motion behaviour. By doing so, it gently strokes the surface of the body while at the same time, the robot creates and updates its imagination of the shape of that body. A monitor in front of the bed, displays current images of the discovered regions.
In a later stage the map could also be used for interaction with the user, to indicate his or her preferences, on which parts of the body to be stroked or not.

In this installation the notion of feeling is ambiguous: at one hand, there is the feeling of the human being who senses the tingling of the skin. On the other hand, there is the feeling of the robot whose only sense is a feeler. The robot tries to form a three dimensional representation of the body, through touch alone.


Biography

Education

1988 - 91 State Academy of Fine Arts, Amsterdam
1982 - 87 Academy of Fine Arts, Maastricht

Solo-exhibitions

2001 Driessens/Verstappen, gallery Vous Etes Ici, Amsterdam
2000 Driessens/Verstappen, Consortium, Amsterdam
1999 FIAC, gallery Le Sous Sol, Pavillon du Parc, Paris
Un, deux, trois, soleil, Chapelle du GenÍteil, Chateau Gontier
Breed, Galerie f¸r Landschaftskunst, Hamburg
MorphothÈque #10, CarrÈ Rouge, Geneva
Ima Traveller, le Zoo, líUsine, Geneva
1998 Rolling Eyes (Rollende Ogen), Museum Van Nagsael, Rotterdam
1997 Erwin Driessens & Maria Verstappen, Le CarrÈ, Chapelle du Geneteil, Chateau-Gontier
1996 Erwin Driessens & Maria verstappen, gallery Le Sous Sol, Paris
1995 Erwin Driessens & Maria Verstappen, Optica, MontrÈal
The Factory, gallery Oh!, Brussels
1990 Tentoonstelling, (Exhibition), Museum Fodor, Amsterdam

Group-exhibitions

2002 Art Forum Berlin, represented by gallery Vous Etes Ici, Amsterdam
Art Brussels, represented by gallery Le Sous Sol, Paris
Selective Whole, Raid Projects, Los Angeles, California
River Deep, Mountain High, Glass House, Amstelpark, Amsterdam
2001 Art Cologne, represented by gallery Vous Etes Ici, Amsterdam
DÈplacement ‡ Maribor, Umetnostna Galarija Maribor, Slovenia
Miquel Mont, Prota(tt)rioreau, Soussan Ltd, THATíS PAINTING Productions curated by gallery Le Sous Sol, Paris
Multiple Meervoud, Parel, Amsterdam
2000 Suite Voices 2: Sculpture, gallery Vous Etes Ici, Amsterdam
Hard/ soft/ wet: Artificial Lives, dLux for FutureScreen00 , Artspace Visual Arts centre, Sydney
Collection ÈtÈ, F.R.A.C. Lorraine, Galerie des Arts, BlÈnod-les-Pont-·-Mousson C (sea), Lokaal 01, Breda
Oblique LU Nights, Le Lieu Unique, Nantes
Samenscholing, Bonnefantenmuseum, Maastricht
Ici on peut toucher, Galerie du Tnb, Rennes
Nouveaux Lieux / nouvelle adresse, BF15, Lyon
1999 Officina Europa, Villa delle Rose, Galeria díArte Moderna, Bologna
Avant Bale, represented by gallery Le Sous Sol, Etage, Paris
The Travelling hut of the "galerie f¸r Landschaftskust, Hamburg"
Parkside of M¸csarnok, Budapest / Kunsthalle Budapest
Corps ‡ Corps, 2nd. Festival Art and Technology, UniversitÈ de Technologie, CompiËgne
Face to Face, A&AA Art, New York City
1998 Organic, Palais des Arts, Les Abattoirs, Toulouse
Ab van Hanegem, Erwin Driessens & Maria Verstappen, gallery Nouvelles Images, Den Haag
In Transit, Hotel Winston, Amsterdam
1997 MU, Arti et Amicitiae, Amsterdam
Die Galerie f¸r Landschaftskunst reist, presentation of Der Mygindsche Garten back yard Linienstrasse 160 Berlin, Merz Academy Stuttgart
BeginSetup, Overgaden, Copenhagen
The Peoples Choice, Kunsthal, Rotterdam
Genuine Fiction (the real thing), W139, Amsterdam
1996 Austerlitz@utrement, represented by galerie Le Sous Sol, Train station Austerlitz, Paris
1995 Reserve Lager Storage, gallery Oh!, Brussels
1994 Touche prize nominees, Arti et Amiticiae, Amsterdam
Le bÈnÈfice du doute, gallery Le Sous Sol, Paris
(Un)controlling, Stedelijk Museum Bureau Amsterdam
Klein Kapitaal, Stichting Beeldende Kunst, Amsterdam
1993 Le bÈnÈfice du doute, Optica, Montreal
En ScËne, W139, Amsterdam
1992 Fodor Longa Res Brevis, Museum Fodor, Amsterdam
1991 Hell Art, Ver.I.O., Maastricht
Double Distance, Museum Het Kruithuis, ës Hertogenbosch
1990 Voorrede, State Academy of Fine Arts, Amsterdam
1989 Artificiality, State Academy of Fine Arts, Amsterdam

Miscellaneous

2002 Sonar, 9th. International Festival of Advanced Music and Multi Media Art
Centre de Cultura Contemporania de Barcelona, Spain
2001 Design by the mm3, State Academy of Fine Arts, Amsterdam
participant at workshop coin design
To Go To, temporary installation at the Hortustunnel, Amsterdam
in assignment of the Amsterdams Foundation of the Arts
2000 Tag, one-evening event with Paul Devens, Luxus, Den Haag
Ima Traveller, one-evening-presentation, Maison de la Culture, Bourges
Oblique LU Nights, collaboration with Andrew Lagowski for electronic music festival, Le Lieu Unique, Nantes
Wat Nu? contribution to millennium party of Club Nu, Paradiso Amsterdam
1999 Copy & Paste, líUsine, electronic music festival, Geneva
with DJ 16B Eye Q & Airtight, Massimo Gruppo (Cyril Kerr)
program CarrÈ Rouge for La Batie
LIFE 2.0, 1st prize international competition artificial life, Madrid
Art-Y-net #1, contribution to public internet terminals, Foundation for the Arts, Amsterdam
1998 Ima Traveller, software demonstration, gallery Le Sous Sol, Paris
1996 Wally, contribution to open air projection, Amsterdam
1995 artists in residence at Est-nord-est, St.Jean Port-Joli, Canada
Art-competition, VSB bank head office, Utrecht