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Transnational Temps
Andy Deck, Fred Adam, Verónica Perales
Novus Extinctus
Spain



 


 


 


The relationship between online creativity and offline ecology are at play in this Internet artwork by Transnational Temps. NOVUS.EXTINCTUS begins with the observation that while thousands of domain names are registered each year for new Web sites, simultaneously thousands of species are falling into extinction. This juxtaposition of creation and extinction challenges simplistic notions of technological progress, generally, and invites more specific enquiries into the promise of the Information Age. NOVUS.EXTINCTUS reframes the game-like processes of e-culture, trying to see how ‘productive’ cultural enterprises contribute to the process of extinction.
The website mimics the procedure ‘content providers’ use to establish their Internet domain names. Offering as ‘free’ the Latin names of recently extinct species, NOVUS.EXTINCTUS highlights the momentous die-off that is making the names ‘available.’ Visitors are then led through a confusing production process that culminates in the futile generation of codes to replace the missing species.
NOVUS.EXTINCTUS was inspired by search engines specializing in images. When using them to locate images of endangered animals online, one finds that images of animals are often more numerous than the animals themselves in the wild. This suggests that a remarkable inversion is taking place. Real animals and plants that formerly occupied taxonomists are disappearing, while at the same time it seems there are not enough names available to identify all of the new phenomena being created in cyberspace.

Mediated Nature

We do not question whether the things that happen on radio or television have actually occurred. The fact that we can confront them mentally through electronics is sufficient for us to know that they exist... (Les Levine)
For the many people who live in ‘media rich’ societies, losing touch with the condition of the biosphere is easy. The frenetic production and distribution of information, constantly amplified and accelerated, is stealing nature's thunder. With the transformation of media technology, an altered perceptual condition has emerged. Although much information is produced and exchanged concerning environmental problems, the use of Internet databases to interpret the condition of the planet is problematic. The constant duplication of digital imagery blurs the status of the things pictured. And there is no guarantee that things made visible by the expanding Internet database continue to exist ‘offline.’ In a state of confused distraction, the natural world is difficult to recognize.
Priorities have shifted. The shadow play of media has become more like ‘primary’ experience. Focus has shifted from the classification of genus and species to the branding of GenusSpecies.com. NOVUS.EXTINCTUS traces the transition away from the taxonomy of natural things and towards the new taxonomy of online phenomena. The new naming protocol does not index physical plants and animals, it references Internet addresses. Not things but places -- ‘domains.’ As attention is directed ever more towards these online virtual places, the flora and fauna that the old naming system classified are disappearing. Quietly.


NOVUS.EXTINCTUS is the first major collaboration of Transnational Temps. Some of the production work for this project was accomplished at the Museo Internacional de Electrografía (MIDE) in Cuenca, Spain, during the summer of 2001.

Fred Adam. Artist multimedia. Born in France without any plugin, Fred Adam's meta keywords were very simple at first. If you have ever installed the Real Player plugin in your computer, you may have heard his voice. He is now distributed with every plugin. He says, "Welcome to Real Player Network." He is confident that his voice will survive on the hard disks of humanity and that he will never be truly extinct. He believes that someone clever will someday find a way to start from his "real" voice and deduce and recompose his mouth, teeth, and finally, all of his body and soul from these codes. Currently Fred lives in Spain where he is thinking of drinking the world as a fresh Coke and becoming a super portal as beautiful as a classic painting. He is now 33 and 1/3 keywords old: fitness, sports, cooking, gardening, home decorating, vacations, hotels, adventure travel, investing, stocks, credit cards, nutrition, fitness, life insurance, home buying, home improvement, pets, interior design, cars, computers, books, jewelry, flowers, wine, sports, music, movies, bikes, clothing, electronics, computer games. French Born 1968 Part of French artistic collective "temps reel" Prizes, exhibitions and fellowships Museo Internacional de Electrografía (MIDE) in Spain, Cuenca

Andy Deck. Media artist. Andy Deck makes media art. On the Internet his public address system is called Artcontext.net. It sounds a critical tone at a time when media mergers are portrayed as the emergence of progress. Deck interrupts regular network programming to announce a general sociocultural emergency in progress. His aesthetic program seeks a cultural break from the modernization of passive consumerism. Applying techniques of détournement, parody, and defamiliarization, he engages both the politics and semantics of interactivity. Combining code, text, and image, he demonstrates new patterns of participation and control that distinguish online presence and representation from previous artistic practices. American Born 1968 Artcontext Press, Curriculum Vitae

Verónica Perales. Artist multimedia. Now I'm going fast on my bike in the street. Too fast and bound for a fall. But I'm looking at the shop windows for the reflection of myself. I want to see myself in the context. Everything needs its surrounding to exist. The reflection of myself exists in front of me, the same way that I exist in front of other people that exist in front of the rest of the world. Everyone is looking for proxies of themselves, trying to have an a-proxi-mate idea of what we are. This is the only way that we grasp reality, just smelling, not touching. Sometimes the proxy sensations are strong, and we forget they're not original.
On the bus stop glass, there is a poster with a tiger. (It's a fearsome poster.)
Spanish Born 1974 Member of Reciclon (www.gigacircus.net)
CURRICULUM VITAE <http://www.artcontext.org/novus/docs/CU-vero.html>