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IN-HOUSE PRODUCTIONS
    • From September 25 to November 10, 2002, Terre di Nessuno by Concha Jerez and José Iges are offering an interactive reflection about the cultures of mass media and consumerism. http://www.terredinessuno.com
      Catalogue
    • From June 6 to July 28, 2002 Fundación Telefónica provides us with the exhibit Karelia: Miracles & Co. by Joan Fontcuberta, as part of PhotoEspaña 2002. The exhibit is a voyage to the inside of a Finnish monastery, a place which conceals an enigma. Just as in other works by this artist, the enigma comes in the form of a photo-essay, in this case, a critical review of religious fervor and superstition in today’s society.
    • The Telefónica Foundation presents the multimedia interactive exhibit BLACK TIDE by Gabriel Corchero. A collection of interactive poems and sound landscapes, with video projections, CD-ROM and Internet. From September 14th to 29 de October 29th, 2000
    • The project by Marisa González, THE FACTORY. Hiperphotographic Recording and Installations presented within the framework of Photoespaña 2000, displays the expressive discoveries generated by new media and provides a rigorous close-up view of a historical and social reality rooted in the collective memory. The collection is completed by an interactive work on the Internet in which the viewer is invited to participate. From May 24 to July 23, 2000.
    • From January 27, to March 26, 2000, La Fundación Telefónica presents CLOSED CIRCUITS, three new installations by Francesc Torres."Lose One’s Head", "Soliloquy of Happiness" and "Deep Particle Accelerator" reproduce, through metaphor, cyclical and closed circuits, with the artist incorporating individual and social situations to these.
    • The exhibit RETROSPECTIVE 1927-1983 de Hernando Viñes was organized by Alain Gobin. It was made up of more than 60 of the artist’s paintings from all his various periods. Viñes’ art comprises all the major themes in painting and is inscribed in the continuum of the great founding currents in modern art. From 18th of November, to 16th of January 2000.
    • Starting in September 1999, the Telefonica Foundation presented EPIFANIA, an exhibition by Marcel.lí Antúnez Roca which included four new works. Agar, Réquiem, Alfabeto and Capricho created a space for in-depth reflection on the relationships between human beings and the worlds of biology (bacterias), technology (prosthesis, interactivity), culture (languages) and mythology (fiction and fantasy.) The curator of the exhibit was Claudia Giannetti.
    • MUNTADAS: PROJECT revolves around the idea of the project as the habitual formula and typology of contemporary artistic expression and creation. Muntadas has made an intensely commited contribution to this, establishing a particular methodology of the "pre-conception" or "project in continual progress". The exhibition was exhibited from September 23 to November 22, 1998 in the Temporary Halls of the Art and Technology Foundation.
    • From May 21 to July 20, 1997 SPUTNIK. An exhibition that brought together newly discovered material on the almost unknown history of Soviet space exploration: photographs, videos, voice transcriptions, original annotations, navegation instruments, personal effects and even a replica of the Soyuz 2 spaceship.
    • The exhibition INCORPÓREO by Spanish artist Daniel Canogar, presented in the Fall of 1995, created an immersive photographic space using the human body as the central image. Materials used included huge wooden structures, photoliths, halogen lights and fiber optic cables.
    • The interactive telepresence installation THE TRACE: Remote Insinuated Presence by Rafael Lozano-Hemmer with the collaboration of Will Bauer was presented in February during ARCO '95, the International Contemporary Art Fair of Madrid. The piece consisted of vectors, sounds and graphics that responded to the movements of two participants in remote sites who were invited to share the same telematic space.
    • Presented during ARCO '94 in Madrid, the French artist Jake's HUMAN LIGHT HUMAN 2074, an installation that served as a meeting place between human beings and light machines. A fiber optic system recorded body movements in real time and re-transmitted them in the form of light projections.
    • Variations in "Gris", VARIACIONES EN GRIS an exhibition produced in 1992 as a homage to Juan Gris which included the work of the great Madrilenian painter as well as art pieces by 19 international avant-garde artists.
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