|
WHAT'S NEW
March 29, 2004
|
|
 |
Joan Colom. Photographs of Barcelona, 1958-1964
Spains Ministry of Education, Culture and Sports and Fundación Telefónica present for the first time a retrospective on the early period of this artist, winner of the National Award in Photography.
|
 |
Casa de Humo
Fundación Telefónica presents Casa de Humo by Javier Vallhonrat, a reflection on the concept of doubt. It offers a journey through open narrative spaces consisting of four video installations and four photographic series, all in dialogue with each other.
|
|
Art & Artificial Life International Competition
|
 |
VIDA 6.0 is the fifth international competition seeking to reward excellence in artistic creation that has embedded in it the practices of Artificial Life (A-life).
|
|
Digital Editions Catalogues
|
 |
Mexico: identity and rupture
The following artists on exhibit represent a significant sample of the various tendencies in Mexican art: Laura Anderson Barbata, Monica Castillo, Thomas Glassford, Maya Goded, Yolanda Gutierrez, Yishai Jusidam, Victor Pimstein, Paula Santiago, Gerardo Suter, and Boris Viskin.
|
 |
Fundación Telefónica presents Weightless, by Daniel Canogar, a multimedia project reflecting upon space exploration and mankinds survival in the cosmos.
|
 |
"At the Edge" is the most recent work by Paloma Navares, one of Spains most internationally acclaimed visual artists. The exhibit is one of multimedia, containing videos, installations, recordings, drawings, photographs and enigmatic objects
|
 |
|
 |
Karelia. Miracles & Co. (spanish)
Using photography, Joan Fontcuberta reviews ideas about believing, magic and esotericism, all with a dose of humor and ambiguity. This enigmatic photo essay by the Barcelona-born artist presents a critical analysis of religious fervor and the development of parapsychology in present-day society.
|
 |
Traversing: Shifts in identity and gender (spanish)
The goal of Traversing is to show how different cultures in contact with each other (specifically, Cuban and American) express themselves through art, while adapting themselves to the context of each country, and maintaining their identity markings.
|
 |
The End of the Eclipse (spanish)
La Fundación Telefónica presents a sample of Latin American art from the transition into the twenty-first century. On display is the work of 26 Latin American artists. The exhibit presents all types of formats and supports: installations, photography, video, painting, and sculpture actions and objects.
Click images
|
 |
- Whites, voids and silences
- In La Fundación Telefónicas exhibit "Whites, voids and silences" the color white becomes the foundation of an aesthetic and philosophical argument through the multiple experiences of seven Spanish artists who, working from the concepts of Malevich, reflect on the ideas of void, silence and nothingness.
|
|
|
Valente Forever: The Shadow (spanish)
Valente Forever: The Shadow came about in the form of a series of conversations that the poet and photographer had since 1998. This poetic space is formed "by a series of texts that make up a whole, body and soul", texts that find their container in the book and exhibit that the Fundación Telefónica now presents.
|
 |
7x7x7 (spanish)
La Fundación Telefónica presents 7x7x7, the exhibit plays with the number "seven", alluding to the number of centuries to the citys history. The following group of seven photographers was formed for the project: Toni Catany, Joan Fontcuberta, David Hilliard, Luis Izquierdo-Mosso, Luis Palma, Humberto Rivas, Begoña Zubero.
Click Images
|
 |
Morimura (spanish)
La Fundación Telefónica and PhotoEspaña 2000 present the first exhibit in Spain of the most internationally renowned Japanese artist. The sample groups together various series of large format pieces, most of them made from reproductions of masterpieces of European painting. They constitute both a tribute to Western culture and a criticism thereof.
|
 |
|

|
|
|
Net Art
|
 |
|
 |
|
 |
Black Tide. Gabriel Corchero
A collection of interactive poems and sound landscapes, with video projections, CD-ROM and Internet, Black Tide creates an atmosphere of immersion with a great audiovisual impact.
|
 |
Marisa González
THE FACTORY. Hiperphotographic Recording and Installations a project by MARISA GONZALEZ included in the Festival PHOTOESPAÑA 2000.
|
|
Visit our 1997-2004 exhibitions
|
|
|
|
|
|